Johnny Britt's Midnight in Paris – A Genre-Defying Tribute to His Artistic Journey

Midnight in Paris, the seventh studio album by Johnny Britt, is a deeply personal and musically rich tribute to the city that shaped him as an artist. Having studied and lived in Paris, Britt immersed himself in the city’s vibrant music scene, drawing inspiration from its global influences and timeless charm. With this album, Britt blends jazz, soul, and smooth R&B, all infused with the elegance of Parisian culture, creating a unique and genre-defying sound.

A Personal and Musical Tribute

The title track, "Midnight in Paris," captures the essence of Britt’s deep connection to the City of Light. His signature flugelhorn tone floats over a hypnotic groove, setting the mood for an album full of lush soundscapes. The single has quickly become a radio favorite, securing the most adds on Billboard’s smooth jazz charts.

However, Midnight in Paris isn’t just about crafting beautiful melodies; it also carries emotional depth and resonance. One standout track, "C’est La Vie," is a heartfelt tribute to Britt’s daughter, Mariah. Written as a beacon of hope for families navigating mental health challenges, the song delivers an uplifting message of resilience with the poignant lyrics, "Not every day the sun will shine, all it is a test of time..."

A Cultural Bridge of Sound

Britt’s ability to blend American jazz and soul with Parisian sophistication is what sets Midnight in Paris apart. As an African American artist fluent in French and deeply connected to Parisian musical traditions, Britt stands as a cultural bridge between two worlds. His fusion of genres and styles, drawing on both American jazz and European elegance, highlights his pioneering role in reshaping contemporary music.

A Journey of Evolution

Johnny Britt’s career has been one of constant evolution and significant impact. From his early years in Cleveland, where he first picked up the trumpet at age 12, to studying under Paris Opera trumpet master Roger Delmotte at the Conservatoire de Versailles, Britt’s musical journey has been defined by passion and dedication. After returning to the U.S., he became the youngest-ever musical director for the Temptations, a role that cemented his place in Motown history. His work on the Emmy-winning The Temptations TV miniseries further solidified his status as a versatile and influential artist.

In addition to his solo work, Britt’s group Impromp2 was one of the first to blend hip-hop and jazz on the West Coast. Their debut album Enjoy Yourself made waves in 1995, marking a significant milestone in the evolution of both genres. Now, with Midnight in Paris, Britt continues to push boundaries, revisiting his Parisian roots and infusing his music with the influences that have shaped his career over the past three decades.

A Legacy in the Making

Midnight in Paris is more than just an album; it’s a celebration of Johnny Britt’s artistic journey and a testament to his ability to bridge cultural divides through music. As he continues to push musical boundaries, Britt’s legacy grows, leaving a lasting mark on both the jazz and R&B worlds.

Erik Palmberg’s Faces Explores Collective Expression and Jazz Chemistry

Swedish trumpeter Erik Palmberg’s latest album, Faces, is a powerful exploration of collective expression. Featuring his quartet, the album moves effortlessly between tender, introspective moments and high-energy, surging passages, showcasing the band's dynamic range and exceptional chemistry.

Following the success of their 2021 album In Between, which earned the title of Sweden’s Jazz Album of the Year in Orkesterjournalen’s reader’s poll, Palmberg and his quartet have continued refining their craft both onstage and in the studio. This development is evident in Faces, where their electric interplay shines through every note.

A Fresh Wave of Inspiration

Palmberg’s vision for Faces took root after the band’s 2021 tour. The experience of countless performances and late-night conversations with his bandmates sparked a wave of fresh inspiration, leading to new compositions that reflect an evolved understanding of each musician’s unique voice. “This album is all about expression and creating a musical environment where we all can shine, both individually and as a group,” Palmberg explains. This vision has resulted in a record that thrives on musical interplay, where every band member plays a crucial role in shaping the sound.

The Quartet’s Telepathic Connection

The quartet, consisting of Erik Palmberg on trumpet and flugelhorn, Anton Dromberg on piano, Niklas Wennström on double bass, and Sebastian Voegler on drums, has been playing together since 2018. Over the years, they have developed an almost telepathic connection, one that drives the flow of Faces. Their performances feel both meticulous and spontaneous, with each member contributing not only as a player but as a co-architect of the sound.

In addition to Palmberg’s original compositions, the quartet reinterprets jazz standards such as Victor Schertzinger’s “I Remember You” and Alec Wilder’s “Moon And Sand.” These performances are imbued with emotional depth and nuance, showcasing the band’s ability to shape familiar material into something uniquely their own.

Organic Arranging and Collective Creativity

Palmberg describes the band’s arranging process as one that is deeply organic. Ideas are exchanged freely, reshaped collectively, and refined in real-time. “We’ve found a way of arranging music together that’s both effective and deeply creative,” he says. This creative process has evolved over the years, allowing the band to shape the final sound together, engaging each member’s unique voice.

Even in the quieter stretches of Faces, the music never loses its sense of movement. The seamless blending of improvisation and composition creates a dynamic, ever-shifting landscape. The result is an album with an effortless quality—a true testament to the years the quartet has spent honing their technical skills and, more importantly, their ability to listen, respond, and elevate one another's playing.

A Celebration of Collective Sound

Faces is more than just a showcase for Erik Palmberg’s expressive trumpet work; it’s a celebration of a quartet in perfect sync. With its melodic richness and organic, dynamic interplay, the album invites listeners into a living, breathing musical landscape—a testament to the power of collective sound.

Record Store Day 2025 Exclusive: Alts 'N Outs

Alts 'N Outs: The Other Side of Blue Note is a limited-edition compilation featuring alternate takes and outtakes from some of Blue Note Records' most iconic jazz sessions. This exclusive release will be available on vinyl for the first time as a Record Store Day exclusive on April 12, 2025. Find it at your local indie record store!

Side A

1. Bangoon (aka Alison’s Uncle) – An outtake from Cannonball Adderley's Somethin’ Else (1958). Recorded on March 9, 1958, with pianist Hank Jones, this track features Miles Davis as a sidema
2. Jean de Fleur – An alternate take from Grant Green's Idle Moments (1964). The original 8:09 take was recorded on November 4, 1964; a shorter version was later produced for the album.
3. Dance Cadaverous – An alternate take from Wayne Shorter's Speak No Evil (1966). Recorded on December 24, 1964, this track features a stellar lineup including Herbie Hancock, Ron Carter, Freddie Hubbard, and Elvin Jones.

Side B

1. Moanin’ – An alternate take from Art Blakey's Moanin’ (1958). Recorded on October 30, 1958, this session is one of the Jazz Messengers' most celebrated works. 
2. On The Sunny Side of the Street – An outtake from Jimmy Smith's Back At The Chicken Shack (1960). Recorded on April 25, 1960, this track is a rendition of the classic 1930 jazz standard composed by Jimmy McHugh and Dorothy Fields. 
3. Lover – An outtake from Sonny Clark's Cool Struttin’ (1958). Recorded on January 5, 1958, this version of the Rodgers and Hart composition features Art Farmer, Jackie McLean, Paul Chambers, and Philly Joe Jones.

These tracks, previously released as bonus content on CD editions, are now presented together on vinyl for the first time, offering collectors and enthusiasts a deeper insight into the rich legacy of Blue Note's jazz recordings.

Availability:

"Alts 'N Outs: The Other Side of Blue Note" will be available exclusively at independent record stores participating in Record Store Day on April 12, 2025. To locate a participating store near you, visit the Record Store Day website.

Please note that Record Store Day releases are typically limited in quantity and may sell out quickly. It's advisable to contact your local record store in advance to inquire about availability.

Shades of Sound: Gil Evans Project Live at Jazz Standard, Vol. 2

New Album from Grammy Award-Winning Producer Ryan Truesdell
Available May 30, 2025 on Outside in Music

Album Pre-Release Concerts at Birdland, NYC: May 13-17, 2025

Grammy Award-winning producer Ryan Truesdell unveils another monumental release with the highly anticipated “Shades of Sound: Gil Evans Project Live at Jazz Standard, Vol. 2,” scheduled for release on May 30, 2025, through Outside in Music. This new album offers an exciting continuation of the Gil Evans Project’s journey, featuring performances recorded live at the iconic Jazz Standard in New York City.

Building on the success of two Grammy Award-nominated albums, Centennial (2012) and Lines of Color (2015), Shades of Sound brings new life to the musical legacy of the legendary Gil Evans. This album marks the band’s debut on vinyl and features some of New York’s most celebrated jazz musicians, including Lewis Nash, Donny McCaslin, Steve Wilson, Ryan Keberle, Wendy Gilles, and the late Frank Kimbrough.

Album Features & Track Highlights:
Recorded live between May 13-18, 2014, during the Gil Evans Project's annual engagement at Jazz Standard, Shades of Sound includes both new compositions and iconic Gil Evans arrangements. The album showcases four never-before-recorded works ("Laughing at Life," "It’s The Sentimental Thing To Do," "I Had Someone Else Before I Had You," and "Neetie’s Blues") alongside Evans’ classic pieces such as "Spoonful," "The Ballad of the Sad Young Men," "Barbara Song," and "Buster’s Last Stand."

Truesdell’s decision to record live honors the essence of Gil Evans' work, capturing the unrepeatable magic of live performance, as musicians blend Evans’ iconic orchestrations with fresh, spontaneous energy. "Live recording captures an intangible energy that happens when the music is lifted off the page in front of an audience," Truesdell explains.

Notable Collaborators & Musicians:
The album features performances from some of the top jazz talent in New York, including Lewis Nash on drums, Donny McCaslin on tenor sax, and Frank Kimbrough on piano. Truesdell brings Evans' intricate arrangements to life with vocal contributions from Wendy Gilles and rich instrumental solos from the ensemble.

Special Focus on Lost Compositions:
The album includes rare gems like "Neetie’s Blues," a previously unknown Evans composition discovered by Truesdell from the late 1960s/early 1970s. Additionally, Truesdell’s team brings to light "Laughing at Life," a composition originally intended for Marcy Lutes' 1957 album Debut but left unrecorded until now.

Pre-Release Concerts in NYC:
To celebrate the release, the Gil Evans Project will perform at Birdland Jazz Club in New York City from May 13-17, 2025. The week-long residency will feature live renditions of the new album’s tracks, along with rare works from Evans' extensive catalog. The event also marks the 113th birthday of Gil Evans, adding a celebratory touch to the performances.

Black Thunder: Brittany Davis’ Bold New Album Arrives June 13 on Loosegroove Records

Seattle-based artist Brittany Davis is set to release her highly anticipated new album, Black Thunder, on June 13, under Loosegroove Records, the label run by Stone Gossard of Pearl Jam. The album's first single, “Amid The Blackout Of The Night,” is out today, marking the beginning of a new chapter in Davis’ musical journey. With a sound that channels the spirit of iconic artists like Nina Simone, Roberta Flack, and Rahsaan Roland Kirk, Black Thunder delivers a deeply immersive and cathartic listening experience that marks a significant departure from Davis’ previous work.

BRITTANY DAVIS :: Photography by Lance Mercer

The Making of Black Thunder

Black Thunder is a product of raw creativity and deep collaboration. The album was created through intense improvisation during two days in the studio, with Brittany Davis on keys and vocals, Evan Flory-Barnes on bass, and D’Vonne Lewis on drums. This trio, who barely knew each other before this recording, was able to strip away the pressure of overthinking and embrace a true, organic, and live performance style.

Produced by Josh Evans, Black Thunder invites listeners to feel the pulse of the music rather than just hear it. Steeped in Black and Afrocentric cultural influences, the album reflects Davis’ stylistic maturation and profound emotional expression. The trio’s collective sound is evocative, unrelenting, and unique, and its spontaneity is a testament to the musicians' ability to create in the moment.

In the words of Josh Evans, “Brittany, Evan, and D’Vonne have, in some way, been preparing for this recording all their lives... to listen deeply, respond empathetically, speak with uncomfortable honesty, and be vulnerable.” This philosophy resonates throughout the album, where every note is a reflection of the artists' dedication to authenticity.

Brittany Davis: A Journey of Resilience

Brittany Davis, who has been blind since birth, has faced significant challenges throughout her life and career. Her debut album, Image Issues, released in 2023, received widespread critical acclaim, earning praise from outlets like NPR, KEXP, SPIN, and World Cafe. Her appearance on NPR’s Tiny Desk and her feature on Good Morning America in 2023 solidified her as a unique and powerful voice in the music industry.

Her first album explored urban soul-funk with the use of drum machines and programmed keys. However, Black Thunder marks a dramatic shift in her sound. This new work embraces a fully live, organic performance style, highlighting her growth as an artist and the depth of her musical versatility. Davis continues to break down barriers and explore new creative realms, challenging expectations and inviting her listeners into a more intimate and visceral experience.

The Heart of Black Thunder

The album’s first single, “Amid The Blackout Of The Night,” exemplifies the emotional depth and vulnerability Davis brings to her music. The lyrics explore themes of absence and presence, as Davis sings, “So many things I’ve never seen / but I’ve touched it all, it seems.” The track hints at her ability to capture emotions and feelings that transcend physical sight, a poignant reminder of how music can evoke images and sensations beyond the visual realm. As Josh Evans reflects, “Is there more to seeing than just sight?”

Black Thunder is more than just an album; it’s an experience. It’s a creative thunderclap from an artist who channels something far larger than herself — something divine, something ancient, something transcendent.

Track Listing for Black Thunder:

1. Ancestors

2. All You Get

3. Ancestors II

4. Amid the Blackout of the Night

5. Ancestors III

6. Black Thunder

7. Ancestors IV

8. Change Me

9. Ancestors V

10. Girl (Don’t You Know)

11. Girl (Now We’re the Same)

12. Ancestors VI

13. Mirrors

14. Ancestors VII

15. Sarah’s Song

16. Sun and Moon

17. Ancestors VIII

Black Thunder is set for release on June 13 via Loosegroove Records. With this album, Brittany Davis continues to break boundaries and solidify her place as a one-of-a-kind artist in today’s music scene.

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Joé Dwèt Filé: The French-Haitian Singer Blending Cultures and Sounds with Soulful Music

In the vibrant world of music, there are artists who transcend borders and genres, and one such rising star is Joé Dwèt Filé, a French-Haitian singer making waves with his unique blend of influences. With a captivating voice and a sound that merges the richness of Caribbean heritage with the sophistication of French music, Joé is quickly establishing himself as a force to be reckoned with in the global music scene.

A French-Haitian Journey

Born to Haitian parents in France, Joé Dwèt Filé grew up immersed in a mix of two distinct cultures. This duality has shaped his musical identity, blending the soulful rhythms of Haiti with the melodic sophistication of French music. From a young age, Joé was exposed to a diverse array of musical genres—from Caribbean music like Kompa and Zouk to French chanson and pop. His upbringing nurtured a passion for music that would eventually become the driving force of his career.

“I’ve always felt the duality of my roots, both French and Haitian,” Joé shares. “Growing up, I was fortunate to experience the best of both worlds, and it influences every note I sing and every song I create.”

Crafting a Unique Sound

Joé Dwèt Filé’s sound is a beautiful fusion of different musical traditions. At the core of his music is the rhythmic pulse of Haiti, with its infectious beats and vibrant melodies that tell stories of love, life, and resilience. However, Joé’s vocal style and arrangements are distinctly influenced by French chanson, R&B, and contemporary pop, making his music not only deeply rooted in Caribbean culture but also universally appealing.

His voice, smooth and emotive, effortlessly carries the weight of his Haitian heritage while embracing the modern textures of French music. Whether he’s singing in French, Creole, or English, Joé’s ability to blend languages and cultures creates an immersive listening experience that connects with fans across the globe.

Breakthrough and Recognition

Joé Dwèt Filé’s journey into the music industry began in France, where he initially honed his skills as a songwriter and performer. His early music gained attention in the French-speaking world, but it was his ability to infuse his Haitian roots with his contemporary sound that made him stand out. His songs quickly gained popularity, not only in France but also in the Caribbean and parts of North America.

His debut single marked the beginning of what would become a flourishing career. With tracks that speak to both the heart and the soul, Joé’s music resonates deeply with listeners who appreciate authenticity and emotional depth. His lyrics, often rooted in personal experiences, touch on themes of love, identity, and the complexities of being part of two cultures.

Musical Inspirations and Artistic Vision

As a French-Haitian artist, Joé Dwèt Filé is inspired by a wide range of musical influences. Haitian artists like Wyclef Jean and Tabou Combo have had a lasting impact on his work, as have French icons such as Edith Piaf and Charles Aznavour. Joé credits these artists with shaping his ability to craft songs that are not only musically rich but also emotionally profound.

“I want my music to reflect the beauty of both Haiti and France. There’s a magic in blending these worlds, and I believe it gives my songs an emotional depth that resonates with people,” he explains.

Joé’s songwriting often explores themes of personal growth, love, and the complexity of identity, reflecting his own experiences as someone who navigates life between two cultures. His ability to tackle these universal themes with sincerity and vulnerability has made his music particularly relatable to listeners from different backgrounds.

A Bright Future Ahead

With a growing fanbase and an expanding international presence, Joé Dwèt Filé is poised for even greater success in the years to come. As he continues to release new music and perform on global stages, his unique sound—fusing the soul of Haiti with the elegance of France—will undoubtedly captivate even more listeners around the world.

For Joé, music is a way to bridge gaps and bring people together. “Music is universal. It speaks a language that everyone can understand,” he says. “Whether you’re from Haiti, France, or anywhere else, the emotions in music are the same. My goal is to create songs that touch people and make them feel something real.”

As Joé Dwèt Filé’s journey continues, it’s clear that his blend of Haitian and French musical influences will continue to shape his artistry and connect with audiences worldwide. With his soulful voice, heartfelt lyrics, and multicultural sound, Joé is an artist to watch as he carves out his place in the global music scene.

Joé Dwèt Filé - 4 Kampé

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Argentine Trio TRÍADA: A Beautiful Fusion of Music, Friendship, and Emotional Depth

In the world of contemporary Latin music, few groups have captured the essence of friendship, intimacy, and authentic sound quite like the Argentinian trio, TRÍADA. Formed in 2023, TRÍADA consists of three talented young women—Julia Percowicz (vocalist), Aylen Reynoso (guitarist), and Diamela Spina (vocalist and percussionist)—whose unique musical bond is reflected in their emotive and genre-blending sound.

The trio’s name, "TRÍADA," meaning a “three-note chord” and symbolizing the deep sisterhood shared by the three musicians, came to Julia’s mind while writing a poem about their friendship. This simple yet powerful word now defines their musical identity. Julia shares, “There were no other options; TRÍADA was the perfect name to capture the essence of our bond and our music."

A Musical Journey Rooted in Friendship

At just 19 years old, Diamela, Aylen, and Julia exude a musical maturity far beyond their years. Their early covers on social media—including a widely praised rendition of João Gilberto’s “O Pato”—introduced them to an international audience, with their debut release amassing over 2 million views on Instagram. The trio’s ability to reinterpret classic songs with their youthful flair, coupled with their undeniable chemistry, has earned them praise from fans and critics alike.

Each member brings a personal connection to music: Diamela’s love for drumming began at age five, Julia grew up surrounded by music thanks to her mother, a choir director, and Aylen found her passion for music in 2019, formally pursuing studies the following year. Their shared experiences and deep bond are the foundation of TRÍADA’s unique sound.

TRÍADA’s Evolution: From Local Performances to International Recognition

The trio's journey began in local Argentine festivals, plazas, and bars before quickly catching the attention of Verve Records and Mercury Records. Their music, which effortlessly fuses genres such as folklore, jazz, bossanova, and acoustic singer-songwriter styles, speaks to a generation yearning for authenticity and emotional depth.

Now, with their EP "De Versiones y Alma"—a collection of covers reinterpreted with a fresh Argentine twist—TRÍADA is ready to make a lasting impact on the global music scene. The EP encapsulates their evolving sound, blending playful joy with heartfelt tenderness, and inviting listeners to experience the deep connection they share as friends and musicians.

A Beautiful Blend of Cultures and Sound

In addition to reimagining beloved classics, TRÍADA has collaborated with international artists from Brazil, Uruguay, and the UK. One such track, a cover of Sofia Alvez’s “Rompí” from Uruguay, showcases the trio's beautiful cross-cultural exchange, as Diamela reflects on the enriching experience of creating with artists from different backgrounds.

The EP also features tracks that highlight themes of love and tenderness. “Canción Para Bañar La Luna”, originally a lullaby by María Elena Walsh, brings the moon to life with evocative imagery, while “Sale La Luna”, a translation of Liana Flores’s “Rises the Moon”, marks TRÍADA’s first-ever translation project. With this track, the trio not only brings their Argentine roots to the forefront but also introduces Argentine music to a global audience.

The Future of TRÍADA

With their incredible debut EP, TRÍADA has proven that their artistic journey is only beginning. As they continue to explore new musical directions and delve deeper into their roots, they are committed to staying true to the emotional depth and authenticity that define their sound. While they haven't yet produced a full album, TRÍADA is clear about their future: “Our Argentine roots, and more broadly, our Latino roots, will always be part of what we do,” they declare.

As TRÍADA continues to break barriers and capture hearts worldwide, one thing is certain—they are poised to leave an indelible mark on the global music landscape.

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Guitar Wunderkind MARCIN and Pianist-Composers HAYATO SUMINO Release New Cover of Stevie Wonder's "I Wish"

In an exciting musical collaboration, guitarist MARCIN and pianist-composer HAYATO SUMINO have teamed up to release their unique cover of Stevie Wonder’s 1976 Billboard No. 1 hit “I Wish.” The highly anticipated track, which blends jazz, funk, R&B, and soul, showcases the distinctive playing styles of these two musical powerhouses and is sure to delight fans across the globe.

Both MARCIN and Hayato Sumino are social media sensations, with millions of followers who eagerly tune in to their live performances. This collaboration, recorded live in-studio in Tokyo, demonstrates the remarkable chemistry between the two artists as they bring fresh life to a beloved classic.

A Unique Musical Collaboration

MARCIN, recognized as one of the most talented guitarists of his generation, and HAYATO SUMINO, a celebrated pianist and composer, spent hours in the studio developing a fresh, dynamic arrangement of “I Wish.” MARCIN notes that the experience was both challenging and fun, reflecting on how they arranged the song in just two hours before recording it live in the studio. The duo’s “Take 12” captures a pure, fun musical moment — just two friends from different continents jamming together in an electrifying session.

"I’m beyond excited to collaborate with my friend, the incredibly unique and charismatic guitarist, Marcin," shares HAYATO SUMINO. "The blend of guitar and piano isn’t something you hear every day, which makes this project even more thrilling. The chemistry between us was absolutely electric!"

MARCIN: A Guitar Phenomenon

MARCIN, who has earned praise from icons like Tom Morello, Paul Stanley, and BTS' Jungkook, is renowned for his revolutionary percussive guitar style. His musical prowess, featured in outlets like Rolling Stone, Billboard, and Guitar World, has captivated millions worldwide. Recently, MARCIN launched a signature guitar with Ibanez Guitars and is preparing for his debut North American headlining tour this September to promote his album Dragon in Harmony.

HAYATO SUMINO: A Rising Classical and Contemporary Star

HAYATO SUMINO, also known as ‘Cateen,’ has built a significant following with nearly 1.5 million followers and over 200 million views on YouTube. His performance at the 2021 International Chopin Competition and debut at the Royal Albert Hall in 2024 have solidified his place as a rising star in the global music scene. Sumino’s debut album, HUMAN UNIVERSE, released in November 2024, blends classical, jazz, and post-classical styles, and he’s rapidly becoming known for his versatile compositional skills. This year, he’s set to perform at both the Hollywood Bowl and Carnegie Hall.

Conclusion

The collaboration between MARCIN and HAYATO SUMINO on “I Wish” represents a powerful fusion of two extraordinary talents. Their ability to blend genres and create something truly unique makes this cover an exciting addition to their musical repertoires. As both continue to rise in the music world, we can’t wait to see what’s next for these exceptional artists.

Setenta's Apollo Solar Drive - A Captivating Fusion of Latin Funk and Jazz

Setenta’s Apollo Solar Drive is a vibrant, dynamic album that showcases the band's rich 20-year legacy of blending Latin rhythms with funky jazz. Released in 2024 by Latin Big Note, this CD offers an exceptional listening experience, with influences of Latin music intertwined with jazz-funk grooves.

The music shines with the unmistakable Fender Rhodes, Minimoog, and Clavinet work from Florian Pellissier, a jazz veteran known for his remarkable keyboard skills. The album’s instrumental setup is further elevated by a lush array of acoustic percussion, including congas, timbales, guiro, and shekere, creating an irresistible fusion of rhythmic and melodic textures. These instruments, paired with the experimental and spacey moments from the keyboards, bring a unique dimension to Setenta’s sound.

Each track on Apollo Solar Drive transports listeners into a groove-heavy, sunlit atmosphere, with standout titles like "Danzon De Planetas," "Apollo Solar Drive," "Madame Shingaling," "Liberame," "Tambu," and "Yambuspection." The mix of tight rhythms, intricate percussion, and funky jazz elements makes this album a standout release in Setenta’s extensive catalog.

Whether you're a longtime fan of the band or new to their music, Apollo Solar Drive is a must-have for those who appreciate Latin jazz fusion with a contemporary twist.

Ingrid Laubrock’s Purposing The Air: A Poetic and Musical Journey Through Emotion

Releasing April 11, 2025 on Pyroclastic Records – A Boundary-Defying Double Album

Innovative composer and saxophonist Ingrid Laubrock returns with an ambitious and groundbreaking project, Purposing The Air, set for release on April 11, 2025, via Pyroclastic Records. This double album, inspired by the poetry of Erica Hunt, explores the intimate connection between language and sound through a collection of 60 brief but evocative koans. Laubrock’s creative genius shines as she curates four vocal-instrumental duos that breathe life into Hunt’s words, each pairing offering a unique interpretation of the poet’s poignant themes.

A Unique Collaboration Between Music and Poetry

Purposing The Air features Laubrock’s deep engagement with the voice, following her earlier work Contemporary Chaos Practices (2018), which blended orchestra and choir. However, this project marks a more intimate approach, blending her distinctive saxophone compositions with the powerful poetry of Erica Hunt. The centerpiece of the album is Hunt’s “Mood Librarian – a poem in koan,” a thought-provoking work made up of short, often cryptic lines that evoke a vast spectrum of emotions and moods.

Laubrock’s decision to work with living poets stems from her dedication to contemporary compositions. After meeting Hunt at a mutual friend’s home, Laubrock felt an immediate connection and decided to set Hunt’s words to music, forging a new path that integrated poetry with her expansive musical style.

The Duos: Masterful Pairings of Voice and Instrument

The album showcases the versatility of Laubrock’s compositions, brought to life by four exceptional duos, each carefully chosen for their chemistry and ability to bring the poems to life:

1. Fay Victor and Mariel Roberts – A new pairing of vocalist Fay Victor and cellist Mariel Roberts, whose collaboration brings a fresh depth to the compositions.

2. Sara Serpa and Matt Mitchell – The dynamic duo of vocalist Sara Serpa and pianist Matt Mitchell, whose intimate musical rapport highlights the emotional nuances of the koans.

3. Theo Bleckmann and Ben Monder – Veteran collaborators Theo Bleckmann (vocals) and Ben Monder (guitar), whose extensive history together creates a seamless, sophisticated interplay.

4. Rachel Calloway and Ari Streisfeld (Duo Cortona) – Mezzo-soprano Rachel Calloway and violinist Ari Streisfeld, known for their intricate performances as Duo Cortona, bring an unmistakable intimacy to the project.

Each duo interprets a unique selection of Hunt’s poetic fragments, allowing Laubrock’s compositions to breathe through a variety of voices and instrumental textures. By tailoring each koan to the distinct sound of the duo, Laubrock explores the intricate balance between structure and improvisation, offering a fresh perspective on contemporary music.

Laubrock’s Approach: A Fusion of Emotion and Innovation

As an experimental saxophonist and composer, Ingrid Laubrock has long been celebrated for her boundary-pushing musical explorations. Known for her work with luminaries such as Anthony Braxton, Muhal Richard Abrams, Jason Moran, and Myra Melford, Laubrock’s approach to Purposing The Air marks a new phase in her career. Writing for duos without the opportunity to direct the music from the inside was a unique challenge, as Laubrock explains: “You have to be more concise in what you write and construct. Writing for these duos was all about trying to find ways of letting two musicians interact and figuring out the possibilities of their instruments while still allowing my personal creativity to shine through.”

The title Purposing The Air is drawn from the lyric of the penultimate piece, performed by Duo Cortona: “birds purpose the air / as you purpose / pen and paper.” This metaphor suggests the delicate process of composition—transforming written notes into vibrations that resonate in the air, carrying meaning and emotion. Laubrock imagines the album as a space where Hunt’s poems float freely, with just enough space between each piece to allow for reflection before the next poetic moment arrives.

A Deep Dive into Poetic Music

Laubrock’s mastery lies in how she balances compositional rigor with the freedom of improvisation, giving each duo the space to infuse their personal style into the pieces while remaining true to the emotional core of Hunt’s work. The 60 koans, each a brief yet profound exploration of human experience, are as elusive and specific as the music that accompanies them, creating a powerful emotional resonance for the listener.

As Laubrock explains, “The texts of the poem are open and concise, often cryptic, but still poignant and relatable. Some I connected with immediately and viscerally, while others were more like evocative images or fun impressions. They really lend themselves to the song form in my mind.”

Ingrid Laubrock: A Visionary of Contemporary Music

Ingrid Laubrock’s commitment to pushing the boundaries of jazz and contemporary composition has earned her accolades from some of the most respected voices in the music world. Described by The New Yorker as a “fully committed saxophonist and visionary,” Laubrock has spent years creating innovative, genre-defying works. Purposing The Air is another testament to her unique ability to combine complex soundscapes with deeply human emotion, making it an album that resonates across multiple musical and cultural realms.

Pre-Order Purposing The Air Today

Don’t miss out on this one-of-a-kind musical journey through the evocative poetry of Erica Hunt, curated and composed by Ingrid Laubrock. Purposing The Air is available for pre-order now and will be released on April 11, 2025. Whether you’re a fan of contemporary jazz, experimental music, or poetry, this album is sure to leave a lasting impact.

Bennie Maupin’s The Jewel in the Lotus: A Timeless Masterpiece of Modern Jazz

Coming May 16, 2025 – A Classic from 1974 Reissued by ECM

Prepare to rediscover a hidden gem of modern jazz with the upcoming reissue of Bennie Maupin’s The Jewel in the Lotus, set for release on May 16, 2025, through ECM Records. Originally recorded in 1974, this album is a remarkable testament to the creativity and musical ingenuity that defined the era. Featuring an ensemble of stellar musicians, including Herbie Hancock, Buster Williams, Billy Hart, and more, The Jewel in the Lotus has long been considered an unsung classic, and now, it's set to captivate a new generation of listeners.

A Brilliant Convergence of Jazz Legends

Bennie Maupin, a master saxophonist and reed player, has made significant contributions to some of jazz’s most iconic albums, including Miles Davis’s Bitches Brew, Herbie Hancock’s Mwandishi and Headhunters, and Marion Brown’s Afternoon of a Georgia Faun. However, Maupin’s own solo work has been sparse, making The Jewel in the Lotus even more special. Released initially as ECM 1042, the album stands out as a milestone in Maupin’s career, showcasing his inventive approach to jazz.

On this album, Maupin is joined by a who’s-who of jazz innovators:

• Herbie Hancock (piano, electric piano)

• Buster Williams (bass)

• Frederick Waits (drums, marimba)

• Billy Hart (drums)

• Bill Summers (percussion)

• Charles Sullivan (trumpet)

This dynamic ensemble, drawn from Hancock’s inner circle during the 1970s, creates a uniquely cohesive sound that blends the influences of avant-garde jazz, modal improvisation, and complex rhythmic structures. Each player contributes to the overall tapestry, creating an album that feels like a collective expression of artistic vision.

The Sound of Selflessness: A Masterpiece of Jazz Fusion

Released in 1974, The Jewel in the Lotus was hailed by DownBeat as a “selfless album,” with the review emphasizing the way in which the musicians seamlessly blend their voices, creating an organic and powerful sound. The album’s title itself evokes a sense of purity and mysticism, and the music reflects this ethos with its intricate yet meditative qualities.

Pitchfork recently described The Jewel in the Lotus as “an unsung modernist classic,” and indeed, the album’s ethereal quality and advanced harmonic structures were ahead of their time. The performance is marked by long, introspective passages, punctuated by vibrant solos and complex interactions between the players. Maupin’s reeds and glockenspiel work is mesmerizing, interwoven with Hancock’s inventive piano and electric piano arrangements, which create both a spacious atmosphere and a driving sense of energy. The rhythmic interplay between Waits and Hart adds depth and dimension, with percussionist Bill Summers and trumpeter Charles Sullivan enriching the overall texture.

A Timeless Contribution to Jazz History

While The Jewel in the Lotus was largely overshadowed by some of the more well-known projects of the 1970s, it has gained recognition over time for its uncompromising artistic vision and innovative approach to jazz fusion. Its blend of experimentalism and accessibility makes it a timeless classic that continues to influence musicians and jazz aficionados alike.

The reissue of The Jewel in the Lotus is an essential addition to any jazz collection. Whether you're a lifelong fan of Bennie Maupin or discovering this masterpiece for the first time, the album offers a powerful reminder of the creativity and spirit that defined an era of groundbreaking jazz.

The Personnel: A Legendary Lineup

• Bennie Maupin – Reeds, Voice, Glockenspiel

• Herbie Hancock – Piano, Electric Piano

• Buster Williams – Bass

• Frederick Waits – Drums, Marimba

• Billy Hart – Drums

• Bill Summers – Percussion

• Charles Sullivan – Trumpet

About Bennie Maupin

Bennie Maupin is a renowned saxophonist, clarinetist, and flutist who has been an influential figure in the jazz world for decades. Known for his work with Miles Davis, Herbie Hancock, and other legendary musicians, Maupin’s distinctive sound and visionary approach to improvisation have made him a key figure in the development of modern jazz. His contributions to albums like Bitches Brew, Mwandishi, and Headhunters have solidified his reputation as one of jazz's most innovative and influential musicians.

Matthew Muñeses and Riza Printup's "Pag-Ibig Ko Vol. 1": A Beautiful Tribute to Filipino Love Songs

Saxophonist Matthew Muñeses and harpist Riza Printup have teamed up for a captivating new project, Pag-Ibig Ko Vol. 1, set for release on April 4, 2025, through Irabbagast Records. This stunning album takes listeners on an elegantly lyrical journey through Filipino love songs, known as kundiman, capturing the raw emotion and national pride embedded in this traditional music. The album showcases the simple yet profound beauty of Filipino love ballads, with a unique pairing of saxophone and harp that elevates the timeless melodies.

A Journey into the Heart of Filipino Music

Pag-Ibig Ko Vol. 1, which translates to "My Love" in Tagalog, is the follow-up to Muñeses' 2022 album Noli Me Tángere, which explored Filipino heritage through the music inspired by national hero José Rizal. The saxophonist's deep connection to his Filipino roots is central to both albums. While Noli Me Tángere focused on Rizal’s musical influence, Pag-Ibig Ko Vol. 1 expands the exploration into the rich world of kundiman, an art form born from the Philippines' Spanish colonial history. These songs, often written in Tagalog, are direct expressions of love and longing, making them the perfect material for Muñeses and Printup to interpret.

The Power of the Kundiman

As Muñeses reflects, kundiman lyrics are notably different from those in love songs from other cultures. “In kundiman, the lyrics are much more direct,” he says. “They say exactly what they feel: ‘I love you,’ or ‘You’re as beautiful as the moon,’ or ‘You make me feel alive.’ It’s an honesty that immediately drew me in, and I knew they would be beautiful to play with harp.”

Having met Printup nearly a decade ago at a Filipino jazz event in California, Muñeses knew that her deep sensitivity to Filipino music, combined with her exquisite harp playing, would bring a special quality to this collaboration. Printup, who grew up with kundiman and understands the genre’s cultural nuances, was the perfect musical partner for this project.

A Rich Repertoire with Filipino Love Classics

The album features a diverse selection of songs by some of the Philippines' most beloved composers. Two songs from Noli Me Tángere—“Kundiman Ni Rizal” and “Canto de María Clara”—are revisited, alongside kundiman classics such as “Dahil Sa Iyo” by Miguel Velarde Jr. (a song that has been popularized by Nat King Cole and Jerry Vale), as well as compositions by Constancio de Guzman, Ernani Cuenco, Nicanor Abelardo, and Dolores Patero. The album beautifully blends these iconic Filipino love songs with the jazz influence that Muñeses is known for, creating a fresh, emotional interpretation of the kundiman tradition.

The Art of Playing with Harp and Saxophone

The unique combination of harp and saxophone shapes the sound and phrasing throughout the album. Muñeses notes that working with harp was an exciting challenge, as it differs greatly from the typical duo setup with piano. “Harp is a delicate, percussive instrument,” he explains. “The rebound and recoil of the sound made for a much more fluid experience. I’m used to playing intense, driving music, so this felt like the opposite—more serene and reflective.”

This change in approach allowed Muñeses to focus on subtlety and expressiveness, bringing out the emotional depth of the kundiman songs.

A Personal and Patriotic Journey

Both Muñeses and Printup are first-generation Filipino Americans, and their connection to this music is not only artistic but also personal and patriotic. In a time when anti-Asian sentiment has risen in the United States, Muñeses sees this project as a way to celebrate and take pride in his Filipino heritage. “This music represents a unique perspective on what the ‘American dream’ means to those of us who are not native-born,” he reflects.

Encouraged by his mentor, saxophonist Miguel Zenón, Muñeses took on this project as a way of asserting pride in his roots and contributing to the broader conversation on cultural identity through music.

About Matthew Muñeses

Matthew Muñeses is a Chicago-based saxophonist, composer, and educator. With a background in classical violin and saxophone, Muñeses has led bands at renowned venues like Chicago’s Green Mill, Andy’s Jazz Club, and Los Angeles’ Catalina Bar & Grill. His passion for education shines through in his teaching roles at St. Charles North High School and Waubonsee Community College. Muñeses’ debut album, Threshold, and his sophomore release, Noli Me Tángere, have received critical acclaim for their unique blend of jazz and Filipino heritage.

About Riza Printup

Riza Printup is an accomplished harpist, composer, and educator with an extensive career that includes performing with legendary musicians like Kenny Werner, Marcus Printup, and Paquito D’Rivera. She is known for her versatility and unique approach to jazz harp, having performed with the Jazz at Lincoln Center Orchestra and contributed to various collaborative projects. Printup’s passion for education extends to her authorship of children’s books and her development of educational programs for young musicians.

Final Thoughts

Pag-Ibig Ko Vol. 1 is a breathtaking fusion of Filipino cultural heritage and modern jazz, a collection of love songs that transcend time and borders. Muñeses and Printup’s heartfelt interpretations breathe new life into the kundiman, inviting listeners to experience the beauty, passion, and emotional depth of Filipino music through the evocative pairing of saxophone and harp.

Hyldon Shines in "Jazz Is Dead 23," a Cosmic Fusion of Brazilian Soul, Jazz, and Funk

Released as part of the Jazz Is Dead series, Jazz Is Dead 23 – Hyldon presents a collaboration that blends Brazilian soul with jazz, funk, and cosmic grooves. Hyldon, a Brazilian soul legend who made waves in the '70s, lends his distinctive vocals to this project, marking an impressive continuation of his artistic journey. The album is a reflection of Hyldon's enduring relevance in the music scene, with a sound that stays true to his roots while experimenting with more complex musical landscapes.

A Unique Fusion of Brazilian Soul and Jazz

Adrian Younge, the renowned composer and producer behind Jazz Is Dead, takes on a major role in the album’s musical direction. Younge’s involvement is crucial, as he provides a rich, atmospheric backdrop with his mastery of various instruments. He plays Fender Rhodes, Hammond B3 organ, guitar, and alto saxophone, creating a blend of jazz-funk and soul that perfectly complements Hyldon’s vocal style. Younge's ability to fuse these genres gives the album a dynamic range, from sultry grooves to more introspective moments.

The presence of Ivan Mamao Conti, the legendary drummer from Azymuth, further elevates the album. Conti’s rhythmic contributions bring a signature groove that is unmistakably Brazilian, deepening the album’s rhythmic and textural layers. His beats, a perfect mix of funk and samba, serve as the driving force behind many of the tracks, allowing the fusion of jazz and Brazilian soul to come alive in vivid, intricate ways.

An Homage to Hyldon's Legacy

While Hyldon is most famously known for his classic 1970s Brazilian soul hits, Jazz Is Dead 23 is an expansion of his sound. Unlike the more straightforward soul music of his contemporaries, such as Tim Maia, Hyldon’s approach is far more ambitious. This record channels the complexity and musical depth of other Brazilian giants like Marcos Valle and Arthur Verocai. His songwriting here takes on a refined, layered quality that showcases both his evolution and the depth of his artistic vision.

The titles on the album reflect Hyldon’s nostalgic connection to Brazil, with evocative tracks like “Jenipapo Robo,” “Favela Do Rio De Janeiro,” and “Verao Na California.” These titles not only capture the essence of Brazilian culture but also express a more universal longing, blending social commentary with introspective musings. The atmospheric track “Viajante Do Planeta Azul” (Traveler from the Blue Planet) is a notable example of the album’s more cosmic, spiritual elements, bringing a fresh air of otherworldliness to the traditional Brazilian soul sound.

Track Highlights:

• Jenipapo Robo: An upbeat, groovy track that blends Hyldon’s soulful vocal delivery with Younge’s dense, atmospheric instrumentation.

• Favela Do Rio De Janeiro: A gritty, soulful number that highlights Brazil’s vibrant, but often harsh realities, with Conti’s percussion giving the track a driving force.

• Verao Na California: A mellow track that contrasts the warmth of Brazilian summer with the cool breezes of California, illustrating Hyldon’s ability to blend cultures through music.

• Um Lugar Legal: A reflective song that creates a lush, intimate atmosphere, showcasing Hyldon’s softer vocal qualities.

• Viajante Do Planeta Azul: A track that leans into cosmic soul, with intricate instrumental passages creating a celestial feel.

• O Cacador De Estrelas: A dreamy, atmospheric tune that reflects Hyldon’s visionary approach to songwriting.

Album Formats

In addition to the CD, Jazz Is Dead 23 – Hyldon is available in vinyl formats, including a standard LP  and a limited edition yellow vinyl pressing. These vinyl releases allow collectors and fans of the artist to experience the album in its full analog glory, bringing out the warmth of the soulful and jazzy elements even more effectively.

Lynne Arriale’s Uplifting Tour Celebrates the Release of Being Human – A Musical Reflection on Unity and Hope

Tour Dates: April 23 – June 7, 2025 | Featuring Stops in Seattle, Oakland, Ventura, Durham, New York City, and Lakeland

Internationally acclaimed pianist and composer Lynne Arriale is set to tour the United States with her trio, performing music from her stunning and thought-provoking album, Being Human. The tour will take place from April 23 to June 7, 2025, with performances across major U.S. cities including Seattle, WA, Oakland, CA, Ventura, CA, Durham, NC, New York City, and Lakeland, FL. Being Human is Arriale's 17th album as a leader, and it features a powerful suite of 10 original compositions that explore the shared human qualities that unite us all.

An Inspirational Suite of Music Celebrating Humanity

Being Human is a deeply emotional and uplifting album, written in response to the divisions and turmoil in the world. As Arriale explains, “The music focuses on qualities we all share that define our humanity. I hope this album will be uplifting and convey a sense of unity and optimism.” Many of the tracks are dedicated to figures who embody passion, courage, and resilience, including climate activist Greta Thunberg, National Youth Poet Laureate Amanda Gorman, and Nobel Laureate Malala Yousafzai.

Critics have lauded the album’s ability to uplift and inspire. All About Jazz praised Being Human as “a sure high-water mark” for Arriale, noting that the album sheds “warm light upon the gamut of the pianist’s innumerable powers.” DownBeat described the music as “both beautiful and mysterious,” further highlighting the deep emotional impact of the album’s narrative.

Tour Highlights: Performances Across the U.S.

Lynne Arriale’s upcoming tour will feature her dynamic trio with Alon Near on bass and Alon Benjamini on drums. The performances will showcase the compositions from Being Human while also highlighting Arriale’s unparalleled virtuosity as a pianist and bandleader.

Tour Dates and Locations:

• April 23 & 24 – Mainstage Theater, The Triple Door, 216 Union St, Seattle, WA (7:30 PM)

• April 25 – Piedmont Piano Company, 1728 San Pablo Avenue, Oakland, CA (5:30 PM)

• April 26 – The Grape House of Jazz and Spirits, 2733 E Main St, Ventura, CA (8:00 PM)

• May 2 & 3 – Durham Jazz Workshop, 4608 Industry Ln, Durham, NC (Times vary)

• May 6 – Klavierhaus, 790 11th Ave, New York, NY (7:00 PM & 8:30 PM)

• June 7 – Polk Museum of Art, Lakeland, FL (7:00 PM, free entry)

Being Human reflects a broad spectrum of human emotions, from love and joy to resilience and persistence. As described by iconic pianist Richie Beirach, Being Human is “an important, stunningly beautiful, powerful musical and spiritual statement.” He adds, "Lynne recognizes the tough realities of the world we live in, but she chooses to highlight the positive in us."

Lynne Arriale: A Visionary in Contemporary Jazz

Hailed as “one of the most exciting pianists in contemporary jazz” by The Guardian (UK), Lynne Arriale’s contributions to the jazz world have been celebrated for decades. Arriale has performed on prestigious international stages, from Montreux to the Kennedy Center, and her albums have consistently topped the JazzWeek Radio Charts.

Her music speaks to the heart, blending intensity and sensitivity, joy and sorrow, strength and gentleness. Her compositions are deeply emotional and crafted with unparalleled invention, making her one of the most compelling voices in modern jazz. With Being Human, Arriale once again showcases her extraordinary skill as a composer and pianist, creating a musical journey that resonates deeply with listeners.

A Timely and Powerful Message for Our Times

In a world increasingly defined by division and polarization, Being Human offers a poignant reminder of the shared qualities that make us human. The album celebrates those who embody love, hope, and unity, and its compositions serve as a call to action for a more compassionate and connected world.

Lynne Arriale’s latest album and upcoming tour invite listeners to reflect on the power of music to heal, unite, and inspire.

Brian Culbertson Brings “The Trilogy Tour: Live from Detroit” to Fans in 4K Ultra HD + Blu-ray and Two-Disc CD on April 11

Renowned multi-instrumentalist and chart-topping artist Brian Culbertson is set to release his latest concert film, The Trilogy Tour: Live from Detroit, on April 11. Available in stunning 4K Ultra HD + Blu-ray and as a two-disc CD, this release captures the electrifying energy of Culbertson’s highly anticipated The Trilogy Tour, offering fans an immersive experience of music and visuals like never before.

Brian Culbertson’s Spectacular Concert Production

As one of the few jazz artists who can consistently deliver extravagant, visually spectacular, and thrilling concert experiences, Brian Culbertson has created an unforgettable show with The Trilogy Tour: Live from Detroit. Known for his musical versatility, songwriting prowess, and role as a producer, Culbertson has released 40 Billboard No. 1 hits over his storied career. His latest project, The Trilogy, came to life over two years with input from fans who joined him in his weekly online series, The Hang. This collaboration resulted in 30 new songs across three albums, each with a distinct emotional theme: Red, Blue, and White.

The The Trilogy Tour, a 70-show U.S. trek, culminated in a final performance at Detroit’s MotorCity Casino in March 2024. This concert, which forms the centerpiece of The Trilogy Tour: Live from Detroit, features a 17-song setlist showcasing songs from all three albums, along with Culbertson's signature hits. The concert is a visual masterpiece, blending state-of-the-art lighting and effects with masterful choreography to create a truly sensory journey.

A High-Energy Show with Immersive Visuals and Powerful Music

Filmed by renowned director Robert Hubbard, The Trilogy Tour: Live from Detroit is more than just a concert film. It’s a sensory experience, with vibrant melodies, lush harmonies, funky grooves, and extended solos bringing the audience into the heart of the performance. The band—comprised of Culbertson on keyboards and trombone, along with Darnell “Showcase” Taylor (guitar), Eddie Miller (keyboards/vocals), Chris Miskel (drums), Rishon Odel (bass), Michael “Patches” Stewart (trumpet/flugelhorn), Ronnie Gutierrez (percussion), and Walter English III (keyboards/vocals)—delivers an electrifying show that keeps the energy high throughout.

“I knew this tour would be something special, and the music pushed it into another space,” says Culbertson. “It’s more than just a ‘hits’ show—it has a narrative arc and a story that’s told through music and visuals.”

The The Trilogy Tour premiered in March 2023 in Providence, Rhode Island, and ended in Detroit a year later. Culbertson used every performance leading up to the final show to fine-tune the production, ensuring the last concert would be the most polished and thrilling of all.

Premiere Events for The Trilogy Tour: Live from Detroit

Fans can get an exclusive first look at The Trilogy Tour: Live from Detroit during two premiere events. On April 6, the film will debut at the GoggleWorks Center for the Arts as part of the Berks Jazz Fest in Reading, Pennsylvania. Following that, fans worldwide can enjoy the film during a livestream event on VEEPS on April 10 at 8 p.m. ET/7 p.m. CT/5 p.m. PT.

A Creative Vision Realized

Culbertson’s creative vision for the The Trilogy Tour was to create a multi-sensory experience, blending captivating music with dazzling visuals. “The response from everyone—from the band at rehearsals to fans at the shows—was the same: ‘That was an experience,’” says Culbertson. “I’m thrilled that the film will allow people to experience the journey we took on tour whenever they want.”

Tracklist for The Trilogy Tour: Live from Detroit

1. Prelude

2. Stars

3. Summer Hideaway

4. The Hangout

5. Sandcastles

6. Time Flies

7. Feel The Love

8. Let’s Go

9. Always Remember

10. Eyes Closed

11. Dance With Me Tonight

12. A Love Lost

13. You Are My Everything

14. Colors Of Love

15. Funkin’ Like My Father

16. Play That Funky Music

17. On My Mind

18. Stars (reprise)

About Brian Culbertson

Brian Culbertson’s journey to stardom began with his debut album Long Night Out in 1994, recorded in his college dorm room. Over the years, he has become a dominant force in contemporary jazz, amassing 28 albums that span genres from jazz to funk, acoustic jazz, and new age music. His upcoming studio album, Day Trip, set for release in late September 2025, promises a jazz fusion edge and features collaborations with top musicians like Branford Marsalis, Randy Brecker, Marcus Miller, and Sheila E.

The Trilogy Albums: A Fan-Centric Creation

The songs that make up The Trilogy were born from Culbertson’s innovative livestreaming sessions on The Hang, where he composed and recorded music in real-time with fan feedback. The three albums, released between October 2021 and May 2022, explore different emotional themes: Red (sexy and romantic), Blue (melancholy and uplifting), and White (hopeful and inspiring). Each album’s distinctive sound and mood come to life on The Trilogy Tour: Live from Detroit.